Debbie Harry Biography | Who Is Debbie Harry |Debbie Harry Wikipedia
Debbie Harry (Full name: Deborah Ann Harry) is an American singer, songwriter, model, and actress, known as the lead singer of the new wave band Blondie.
Her recordings with the band reached the number-one charts place in the United States and the United Kingdom on many occasions through (1979 to 1981) “plus a sixth UK number-one in 1999”.
Blondie’s song “Rapture” is considered the first rap song to chart at number one in the US. She also achieved success as a solo artist before reforming Blondie in the late 1990s. Her acting career includes credits in over 60 films and television programs.
Debbie Harry Age | Debbie Harry Birthday
Debbie was born on July 1. 1945, in Miami, Florida. She is 74 years old as of 2019. She was adopted by Richard and Catherine Harry when she was 3 months old. Growing up in Hawthorne, New Jersey, Harry sang in the church choir. April 2, 2014.
Debbie Harry Young
She was adopted at the age of three months, by Richard Smith Harry and Catherine (née Peters), gift shop proprietors in Hawthorne, New Jersey, and renamed her Deborah Ann Harry. She learned of her adoption at four years old and later, in the late 1980s, located her birth mother, a concert pianist, who chose to not establish a relationship with her.
Debbie Harry Husband | Debbie Harry Bisexual
In 2014, Harry stated that she is bisexual. In a 2011 interview, she said that “After witnessing Elton John and his tireless efforts against HIV/AIDS”, she had been inspired to put philanthropy as her top priority.
She said, “These things are important to my life now. I have the privilege of being able to get involved, so I do. I applaud people like Elton John, who have used their position to do so much good.” Some of her’s preferred charities include those devoted to fighting cancer and endometriosis.
Debbie Harry Kids | Debbie Harry Children
Harry talks about aging and her regret at not having children
The 65-year-old legendary rocker has described the aging process as “rough”.
“As far as aging goes, it’s rough. I’m trying my best now. I’m healthy and I exercise like a friend and do all that stuff that recovered drug addicts do.”
Harry recently admitted that during the late 1980s, she and her then-boyfriend, the Blondie guitarist Chris Stein, were drug addicts. Both later overcame their addictions following stints in rehab.
During the program, which is broadcast today, Harry said that she did not regret taking drugs, but admitted that she was an “idiot” to think they would not affect her wellbeing.
She said: “I’m glad I’ve had all the radical experiences in life. Am I still imbibing? No, I’ve run the gamut. For me it turned into not so much fun, it just wears thin. I was one of those idiots who thought they were going to live forever.”
The singer, who is unmarried, also spoke of her regret at never having children. When asked if she was sorry that she did not have children of her own, she said: “Sometimes, sometimes. I guess it never struck me as being part of survival and for many people it is, it’s a way of surviving.”
She’s choice of music for her desert island included Heavy Cross by The Gossip, Nina Simone’s Strange Fruit and When I Grow Up by Fever Ray. Her luxury was an endless supply of paper and paints and her chosen book was War and Peace by Leo Tolstoy.
Debbie Harry Height | How Tall Is Debbie Harry
The American singer, from Blondie, stands at a height of 5feet 3inches (161.3 cm) Tall.
Debbie Harry Net Worth
The American singer-songwriter and actress has an estimated net worth of $20 million dollars as of 2019. Her path to stardom was not an easy one as she spent most of her twenties working odd jobs as a secretary, cocktail waitress, and Playboy bunny.
She made her foray in a musical career in October 1973, when Harry established both a musical and personal relationship with Chris Stein. The two formed the band Blondie that battled for success for many years.
Debbie Harry Songs
Debbie Harry Songs
Heart of Glass Parallel Lines · 1978
One Way or Another Parallel line · 1978
Sin Condón Sin Condón · 2018
Rapture Autoamerican · 1980
Call Me American Gigolo · 1980
The Tide Is High Autoamerican · 1980
Atomic Eat to the Beat · 1979
Maria No Exit · 1999
French Kissin in the U.S.A. Rock bird · 1986
Dreaming Eat to the Beat · 1979
I Want That Man Def, Dumb & Blonde · 1989
Hanging On the Telephone Parallel Lines · 1978
Union City Blue Eat to the Beat · 1979
Rush Rush Once More into the Bleach · 1988
In Love With Love Rockbird · 1986
Sunday Girl Parallel Lines · 1978
Debbie Harry Style | Debbie Harry Blondie | Debbie Harry 70s | Debbie Harry Fashion | Debbie Harry Outfits
Before Deborah Ann “Debbie” Harry became the iconic bleach-blonde frontwoman of the new wave punk band Blondie, she was the adopted daughter of two gift shop owners in New Jersey, a go-go dancer, and Playboy Bunny.
It wasn’t until the mid-70s that she took to the stage as a singer, but all along she had more style and attitude that she knew what to do with, a coquetish badassness that made her a star. Beyond her hair and eye makeup, she was a pioneer of the mid-70s / late-80s style we see everywhere on the runways today, from one-shoulder tops to berets to colored tights.
And at the age of 71, she has not lost her touch. These days, she can be spotted at fashion week parties in Paris, New York, and everywhere in between, and most recently she performed in a dress that said, “Stop f—ing up the planet.” And as for her musical career, today Blondie released its 11th studio album, Pollinator, which features collaborations with young artists like Charli XCX and Dev Hynes. Over 40 years after the band first got together, their influence looms large.
She wears a one-shoulder blue jumpsuit to perform with Blondie circa 1970. She would wear similar silhouettes throughout her career. Bondie was doing merch long before everyone else. Here, Harry models the punk rock band’s embroidered script sweater top. Being a punk rocker and all, Harry’s style was flashy but never ostentatious; stylish, not fashionable. Here, she wears jean shorts and a tank on Coney Island.
Debbie Harry Chris Stein
In 2015, Blondie members she and Chris Stein made a guest appearance alongside The Gregory Brothers in an episode of Songify the News, and they collaborated again to parody the United States presidential election debates, 2016. She appears on Future Islands 2017 LP “The Far Field” on the song “Shadows”.
Debbie Harry Band
In the late 1960s, She started her musical career as a backing singer for the folk-rock group The Wind in the Willows, which released an eponymous album in 1968 on Capitol Records. In 1974, Harry joined the Stilettoes with Elda Gentile and Amanda Jones. Shortly thereafter, the band added guitarist Chris Stein, who became her boyfriend.
After leaving the Stilettoes, Harry and Stein formed Angel and the Snake with Tish Bellomo and Snooky Bellomo. Shortly thereafter, Harry and Stein formed Blondie, named after the catcall men often directed at Harry after she bleached her hair blonde. The band quickly became regulars at Max’s Kansas City and CBGB in New York City.
Debbie Harry Kookoo
KooKoo is the debut solo album by the American rock singer and actress released in 1981 on Chrysalis Records.
Debbie Harry Albums
Here Are some of her top albums
KooKoo – 1981
Rock bird – 1986
Parallel Lines – 1978
Def, Dumb & Blonde – 1989
Debravation – 1993
Autoamerican – 1980
Necessary Evil – 2007
Trainspotting – 1996
Spectropia Suite – 2010
The X Tracks – 2005
Eat to the Beat – 1979
Blondie – 1976
Plastic Letters – 1977
We Own the Night – ;
Blondie 4(0)-Ever – 2014
TOP OF THE POPS 76 – 1979
Elliott Sharp Edition, Vol. 6: Spectropia Suite – 2013
Act of Piracy (Original Soundtrack Recording) – 1991
Intimacy 1994 Pride of Oklahoma – 1991 – 2012
Six Ways to Sunday – 2016
Legendary FM Broadcasts – Wembley Stadium, London 13th July – 1991 – 2017
The Best of Blondie – 1981
Greatest Hits – 2002
Once More into the Bleach – 1988
The Complete Picture: The Very Best of Deborah Harry and Blondie – 1991
Most of All: The Best of Deborah Harry 1999 Deborah Harry Collection – 1998
Groove Thing (feat. Debbie Harry) “Command & Obey” Original Remixes – 2014
Atomic: The Very Best of Blondie – 1998
Love The 80s – 2012
Greatest Hits: Blondie – 2006
Debbie Harry Quotes
Here are some of his best quotes.
Being hot never hurts!
Music has its own emotional embodiment. It carries emotion with it. When you associate a lyric with the music, it’s much easier; but when you’re standing there completely dry in front of the camera with no musical background, just a fine-tuned, get-this-emotional-story across, it’s a very, very intense kind of focus.
I feel like I have to have a voice.
If I were to do a foundation, it would be to promote solar energy. And I’m worried about drilling for oil. I think it is harming the earth, ‘cos it drains the layer of oil under the surface, and that could be causing earthquakes. It’s like we’re giving the earth arthritis. I don’t know if that sounds crazy.
I love the ACLU and I’m concerned now, especially when it comes to our rights, with current politics and the religious community and the Conservative majority or minority – I don’t know who they are.
- And I wasn’t convinced that I was the most talented person in the world.
- Music is wonderful. Especially if there’s some kind of content to it.
New York has always been a city of change and a city about change, and it is a back-leading development.
Nobody’s going to want to come to New York if it looks like another strip mall.
not really be based on a personal sense of right and wrong or judgment.
I don’t mind if my skull ends up on a shelf as long as it’s got my name on it.
I’m a culture vulture, and I just want to experience it all.
We probably, as primitive people, made music before we actually had a language, and that’s where language comes from.
I thought I’d live to a ripe old age because I always felt there was a lot to do. I had a driven feeling. I always thought in the present.
Debbie Harry Iggy Pop
Deborah Harry identifies as bisexual and has been quite open about her affairs with women and men.
She was in a long term romantic relationship with Chris Stein and collaborates with Chris musically to this day.
Iggy Pop recalls inviting Blondie to tour with him at a time when David Bowie was playing keyboards in his backing band.
“Debbie was an American ponytail girl as seen through the lens of Roger Vadim; Barbarella on speed, or something like that,” Pop says. “Bowie and I both tried to hit on her backstage. We didn’t get anywhere, but she was always very smooth about that. It was always, ‘Hey, well, maybe another time when Chris isn’t around’. Always very cool about it.”
Was she flattered to be hit on by both Iggy Pop and David Bowie? “Of course,” Harry says. “It was a lot of fun. They’re two really great stars, musicians and writers that I’ve always admired. The whole thing was mindblowing to be on tour with them in the first place. And to have flirtations with guys like that was just the icing on the cake.”
Debbie Harry Films | Debbie Harry Movies
Hairspray – 1988
Videodrome – 1983
Tales from the Darkside: The Movie – 1990
My Life Without Me – 2003
Union City – 1980
Spun – 2002
Six Ways to Sunday – 1997
Forever, Lulu 1987 Rock & Rule – 1983
The Fluffer – 2001
Deuces Wild – 2002
Drop Dead Rock – 1996
Cop Land – 1997
Downtown 81 – 2000
Unmade Beds – 1976
Full Grown Men – 2006
Roadie – 1980
New York Stories – 1989
Mother Goose Rock ‘n’ Rhyme – 1990
A Good Night to Die – 2003
All I Want – 2002
Heavy – 1995
Body Bags – 1993
Anamorph – 2007
The Foreigner – 1978
Elegy – 2008
Intimate Stranger – 1991
I Remember You Now… – 2005
The Tulse Luper Suitcases Part I – The Moab Story – 2003
Satisfaction – 1988
L.A. Johns Dead Beat – 1994
Blondie: Video Hits – 2005
Mayor of the Sunset Strip – 2003
Red Lipstick – 2000
Wigstock: The Movie – 1995
Wild Style – 1982
Too Tough To Die: A Tribute To Johnny Ramone – 2006
Mapplethorpe: Look at the Pictures – 2016
Who Shot Rock & Roll: The Film – 2012
Phantom 2040:
The Ghost Who Walks – 1994
The Last American Virgin – 1982
Polyester – 1981
River of Fundament – 2014
When Disco Ruled the World – 2005
Everything Is Terrible! Presents: The Great Satan – 2017
Suzi Q – 2019
Nile Rodgers: The Hitmaker Blondie: One Way or Another Gavin McInnes Is a F**king A**hole – 2009
Directors: David Cronenberg – 2000
Debbie Harry Call Me
“Call Me” is a song by the American new wave band Blondie and the theme to the 1980 film American Gigolo. Released in the US in early 1980 as a single, “Call Me” was number one for six consecutive weeks on the Billboard Hot 100 chart, where it became the band’s biggest single and second No. 1. It also hit No. 1 in the UK and Canada, where it became their fourth and second chart-topper, respectively. In the year-end chart of 1980, it was Billboard’s No. 1 single and RPM magazine’s No. 3 in Canada.
Debbie Harry In Love With Love
Lyrically, the song is the sequel to Blondie’s “Heart of Glass”, according to Harry. The song was released on May 9, 1987, and was, to date, her only solo single to reach #1 on the US dance chart. The single also went on to become a minor hit in several countries, including #45 in the UK and #70 on the US Billboard Hot 100, where it remains her last entry to date.
A music video was produced for the single, featuring Harry dancing in front of various cultural backdrops in a couple of different outfits throughout the clip.
Debbie Harry Rapture
“Rapture” is a song by the American pop/rock band Blondie from their fifth studio album, Autoamerican (1980).
In January 1981, it was released as the second and final single from the album. The song became their fourth and last single to reach No. 1 on the U.S. Billboard Hot 100 chart, where it stayed for two weeks. It was the first No. 1 song in the U.S. to feature rap vocals. The song peaked at No. 4 in Australia and No. 5 in the United Kingdom
Debbie Harry Backfired
“Backfired” is the debut solo single from the American singer-songwriter and Blondie vocalist Debbie Harry. Released in 1981, it was taken from her gold-selling debut solo album KooKooDebbie Harry Nue
Blondie’s Debbie Harry decided to write a book before she forgot it all
When Debbie Harry was working on her new memoir Face It, the woman who has fronted Blondie for four and half decades considered a number of different titles.
First, she thought about Tempered Glass. That would have played off “Heart of Glass,” the band’s 1979 No. 1 hit.
It would have worked because tempered glass is “tougher than its brothers and sisters,” she writes. “And that would be me. Tempered to take the hits without flying into dangerous pieces.”
The title doesn’t trip off the tongue, so the next under consideration was Perfect Punk. That seemed good to the 74-year-old singer and actress after researching the word “punk.”
Harry, who grew up in Passaic County in North Jersey, found a possible origin from Unami, an Algonquin language local to the Garden State. The definition means “wood so decayed as to be useful for tinder to light a fire. A touchwood.”
Harry, whose band burst into fame — along with the Ramones, Patti Smith, and the Talking Heads — out of burned-out 1970s New York, liked this option. She sees Blondie as punk at heart, even though the band never wore the label like a badge.
“Blondie never claimed to be punk,” she says, speaking from her Manhattan home after completing her morning routine of reading while having coffee in bed. (That day’s book is Israeli author Yuval Noah Harari’s Sapiens: A Brief History of Mankind.)
“But if you were really knowledgeable about the scene that we came out of, it was really about doing something different than what was popular at the time. That was the idea of being a punk. It wasn’t a musical reference. It was more of an attitude reference.”
But instead, Harry decided on Face It (Dey Street, $32.50), in part because she knew the process would involve confronting her past. “Ultimately,” she says, “I felt like it was the time to do it before I forgot everything.”
But the book, written “in collaboration with” music writer Sylvie Simmons, is also called Face It because Harry’s face was once one of the world’s most photographed.
At Blondie’s peak — when the band was scoring hits like “Hanging on the Telephone,” “Call Me,” and “The Tide is High” — Harry was an A-list celebrity depicted by artists like Andy Warhol. For decades, fan artists have been sending creations to Harry, who included reproductions of scores of them in the book.
Today Harry is a stylish septuagenarian still skilled at provocation. On tour last year in support of the band’s excellent 2018 album Pollinator, she made her environmental activism known with a trench coat emblazoned with the words: “Stop [Expletive] the Planet.”
This summer, Blondie — led as always by Harry and her former romantic partner Chris Stein, who wrote Face Its an introduction — was an impressive opening act for Elvis Costello on tour.
In a nod to its 1980 hit “Rapture,” which expanded the boundaries of hip-hop at the time, the band covered Lil Nas X’s country-rap hit “Old Town Road,” and roasted President Donald Trump with the theme song from From Russia with Love.
Debbie Harry on heroin, rape, robbery – and why she still feels lucky
It wasn’t until she was 31 – relatively old by pop-star standards – that Debbie Harry became famous. This goes some way to explain how she managed to cram in so much before she became the superstar frontwoman of Blondie.
To name but a few of her experiences, as a child, she survived being in a coma as a result of pneumonia; as a young woman in New York, she worked for the BBC, hung out with Andy Warhol and other New York faces, escaped an abusive relationship, became a driver for the New York Dolls, started a girl band, formed Blondie and believes she had a lucky escape from the serial killer Ted Bundy. “I’m sure I don’t have all my experiences on tap,” Harry writes in her new autobiography, Face It.
I meet her in a suite at the Savoy in London. She appears alone, wearing sunglasses. Harry is tiny (despite her platform trainers) and pale, with her instantly recognizable peroxide hair, swept back. She looks as delicate and ethereal as a dandelion clock, but the sunglasses come off and her eyes are quick and determined. She seems warm and tries to ask me as many questions as I ask her – I can’t decide if it is her enduring curiosity or a deflection technique. Perhaps it is both.
She remembers staying at the Savoy once with Chris Stein, her Blondie bandmate and then-boyfriend, while Prince Charles and Diana were attending a party there. She recalls, with a laugh, that security came to interrogate them because of Stein’s collection of ceremonial weapons.
She seems to have stories about everything, which makes Face It an often very funny read. Was it sometimes difficult looking back? Harry is 74 and has been through some traumatic events. “Sometimes, yeah. It wasn’t something …” She pauses. “I tend to move on, get interested in something and see what’s about. I guess there were moments when I thought: ‘God, you were such a fool.’ You look back, and you think about all the mistakes you made: ‘Why did I ever do that?’” She smiles. “But, all in all, I guess I’ve been very lucky.”
Her biggest mistake, she says, was money. “That I didn’t pay more attention to business, and that I was really only interested in making music and performing.”
In the early 80s, Harry and Stein – they were in a relationship for 13 years – lost everything. Their debut album, the eponymous Blondie, came out in 1976, and for years they toured the world; they had six No 1 UK hits, including Heart of Glass and Call Me, and sold 40m records.
When the US Internal Revenue Service hit them with a huge bill for unpaid tax, they lost their New York townhouse; the IRS even took some of her clothes, she writes. Worse, Stein was in the hospital recovering from an autoimmune disease – Harry would spend the next few years looking after him – and they were not sure how they would pay his medical bills. It also meant the end of the band.
At the time, they were both on heroin. In her book, Harry, who would bring the drug to Stein in hospital, writes: “I think that doctors and nurses knew that he was high all the time, but cast a blind eye because it kept him relatively pain-free and mentally less tortured.”
Harry had first tried heroin with an old boyfriend, but judging by old interviews it doesn’t seem to have been a problem for her. How would she describe her relationship with it? “I don’t actually regret taking it, but I do regret the amount of time … it’s a time-consumer. But I think at that point it was a necessary evil. To some degree, it was self-medicating. It was a rough, depressing time of life and it seemed to suit the purpose, but then it outlived its benefits.”
She got off it, she says matter-of-factly, “just the way anybody does – go to a program, or go into therapy. It’s not easy.” Her eyes widen and she changes tack. (She does this a lot.) “Now, the whole opioid crisis [in the US] is even more serious,” she says. Her aunt became addicted to painkillers. “She was a little bit older than I am today when she had this problem. It was hard for her to get off of all this.”
Harry, who was adopted as a baby, grew up in small-town New Jersey. She writes movingly about how a fear of abandonment has lasted all her life: “I guess somewhere in my subconscious, a scene was playing on a loop of a parent leaving me somewhere and never coming back.”